The Prestige stars Hugh Jackman (of Wolverine fame) and Christian Bale (of Batman fame) as two rival magicians in Victorian-era London who spend much of the film trying to one-up each other and even regularly sabotage each other's acts, which causes Bale's character to lose a couple of his fingers when Jackman's character deliberately sabotages his "bullet catch" act. I must admit, I wasn't really expecting much from this film and, for the first half of the film at least, I didn't get much. In fact, I was actually so bored with this film during its first-half I was about to turn it off. However, things started picking up, at least for me, during the second half of the flick when the two magician's rivalries become obsessive and rather sadistic. In the end, Hugh's character finds a rather unique way to set up Christian's character for his own murder and winds up taking his daughter as his ward. When Bale's character vows revenge on him, he just scoffs and walks off with his daughter in tow. Then Bale's character is hanged for his "murder" and Hugh's character believes that's the end of it. That's when the "twist" of the movie is revealed of which I won't spoil here, though I will say--again, at least for me--said "twist" was intriguing and unexpected, although to the late Roger Ebert--who is, of course, this blog's namesake--said "twist" ending was, as he described it, a "cheat" and a "fundamental flaw" of the film. I guess we can agree to disagree (sort of like with Ebert's former partner the late Gene Siskel)! One "fundamental flaw" I did find with this film is that Hugh Jackman and Christian Bale's characters are arguably two of the least likable characters in cinematic history as it's actually kind of hard--at least it was for me--to root for either of them they both act so despicably in the film. But the acting caliber of this film, aided by Michael Caine who plays a sort of mentor to both characters (and even Scarlett Johansson who adds the obligatory sex appeal/eye candy to the film), makes it easier to accept that they act so horrendously towards not only each other but to those around them; like, for instance, Bale's character actually helps drive his wife to suicide. I think this film would especially appeal to those interested in magic (which, to be honest, was one of the reasons why I initially wasn't expecting much from this film).